Carrie Moore is an artist of many talents. While at her studio, you will see pastel paintings, leather embossing, metalwork, linocut printmaking, even leather projects in the works. Carrie doesn’t like to stick to just one medium. “My brain is all over the place,” she says. But all her works do have common elements. “They are all reductive,” says Carrie. In each of these arts, something is carved away, erased, or reduced in form.
Throughout the day, Carrie will demonstrate many of these different reductive processes. You may see her begin, perhaps even finish, a reductive pastel drawing. First she lays in color with the pastel stick, using local colors of objects and complements. Then she smears the color, filling the tooth of the paper. Next begins the reductive process; she wipes some of the smeared color off, returning the paper to that touch of color that first hits the paper tooth. She uses rags, erasers, and other tools to make different marks, sometimes digging back to the clean paper layer. Adding and subtracting steps can repeat and overlap. Decorative and accent marks can be made on top. The result is a pastel piece with a complex surface history and many interrelated colors.
Carrie’s studio is an open teaching space, which artists, musicians, even poets can rent for their workshops of up to 18 students. It is set in the beautiful countryside south of Oregon City, high up on a knoll with a pastoral 360 degree vista. Looking at nature, really looking, has been a great inspiration to Carrie, now that she is giving one hundred percent of her attention to her art. Let her studio inspire you, too. Take care coming up the winding drive, and come on in!
Christopher Mooney is an oil painter, best known for his large, graphic paintings of bridges. He studied in New York at Parsons School of Design, then came to Oregon in the late 80’s in search of bridges and urban landmarks. Recently, he’s been painting in his workers series, a group of large pieces to commemorate the workers who create and maintain our iconic structures. This series leads him to new painting experiences. The Hawthorne bridge in Portland is one of the bridges that has to open for shipping traffic, and every two weeks it must be oiled. By special arrangement, Christopher was allowed to photograph the workers. He climbed a set of stairs to the top of the arch. They closed the traffic gates and raised the bridge with him on it. Then he moved over to the counterweight. As they lowered the bridge, the counterweight with Christopher went up, until he was at the top of the entire structure with the workers. From there, he had a view of the city, the work, and a perspective on the bridge like no other. Christopher also paints dramatic figures. He has been experimenting with red and blue spotlighting to get a variety of skin tones and shadow casts. He is now painting commissioned portraits for people who want a memory preserved. “Pictures fade, files get lost, but a painting immortalizes.” Get a preview of Christopher’s work at THE ART OF TRADE, a juried exhibit sponsored by the Port of Portland, at 903 NW Davis from August 6-15. Then take note of his studio for your Portland Open Studios tour.
If you want to go to the hottest art show happening, it is at Arburst NW show (at Marylhurst University Campus) which is filled with the hottest art in town (as well as some shady trees). Come on out and see us. Here is a link to my website to see some of my latest work: pmshore.com/gallery.
I am so excited about this idea. Karen Lewis, PDXOS artist #6, is interviewing all the artists in her area. This is such a great idea. I hope all the artists on the tour go out and interview each other. Let’s get some excitement generated for the tour!
Here is here first interview, of Deborah Marble, Artist #7.
Deborah Marble has been interested in drawing people since childhood. Years of experience in drawing and painting from life have given her a unique way of expressing the human figure. She was a courtroom sketch artist for many years, before cameras were allowed in courtrooms. There she learned to work quickly, putting down on paper the distinguishing features of faces, the nuances of body language. Scenes surrounding people are suggested in a few lines and shapes, just enough to set them in place. There is a tangible emotional quality in her drawn line and painted gesture, as she shows people in daily activities.
Whether she is working from life, from photos, or from memories, Deborah focuses on the people around her, known and unknown. Sometimes a few minutes are all she needs to capture a likeness. She especially likes watercolor for its “unique flowing and blending quality which suit my preference for rapid results.”
Visit Deborah’s studio on your tour to see her working space, tools and supplies, and the range of her figurative work. Throughout the day, Deborah plans to demonstrate her approach on small pieces.
PDXOS artist Theresa Andreas=O’Leary will be showing at Art Elements Gallery from June 25th to July 18.
The voice of artist & seedlings chanting, “Save land, grow food.”
The changing landscape implores my brush to document memories.
Views of sacred hallowed ground in fields, open spaces and farms
dotting the contoured hillsides…revealing striated clay jory soil,
layered hues, connecting me, connecting us. Stewards of the land,
revering Mother Earth, we will remain.
As Portlanders, most of us are familiar with the acronym “CSA.” It usually stands for Community Supported Agriculture. However, there is a new CSA in town – “Community Supported Art”.
Portland Open Studios has designed a new program, PDX-CSA, similar to the more well-known CSA. In its first season, PDX-CSA offers three options for art collectors: Mixed Media, Figurative, and Ceramics. Considering project summaries and example works the artists have produced in the past; the collector pays $235–$300(depending on the collection); and receives later, upon completion, three pieces of art, one from each artist in the collection.
Providing funding in advance for artists to create new work supports the artists’ unique visions while allowing the buyers to follow the artists’ progress and enrich their understanding of how the art is made.
The focus of this exciting venture is to provide advance funding for artists to create new work and allow buyers to follow the progress and enrich their understanding of how the art is made. And all the work will be new, with each artist making no more than 20 pieces.
The collections are on sale for only a short window: May 8 – May 15 (unless they sell out). There will be an opening party on May 7 for artists and potential collectors at Ford Food + Drink, 5:30-7:30pm.
Learn about the 9 artists and other details at the PDX-CSA website.
The Lake Area Artists 49th annual show and sale is this weekend , Friday through Sunday. Four PDXOS artists will be showing: Janet Amundson-Splidsboel, Theresa Andreas-O’Leary, Gretha Lindwood, and Deborah Marble.
Lakewood Center for the Arts, 362 S. State Street, Lake Oswego
We hope that you had the opportunity to go on the 2014 Portland Open Studios tour and visit artists’ studios.
If you did go on the tour, we would like to hear about your experience: bit.ly/pdxos2014s
By filling out this survey you will be eligible for a prize drawing. The survey is intensive, but your feedback is incredibly valuable to us as we evaluate what happened this year and plan for next year.