President’s Page – PDXOS Community Leaders

You may or may not know that Portland Open Studios is run on volunteer grit. Our small budget goes primarily for advertising and creating our tour guide, while the significant project and event planning is done gratis by our board members and volunteer community leaders.

That’s why I’m so excited to announce an expansion of the community leaders program this year! Community leaders are artists that have gone through one or more years of Portland Open Studios. They agree to lead and guide their communities of artists (this year, there are eight communities). They’ve been key in advising new artists on what to expect and planning group advertising and social opportunities within their communities.

Previously, community leaders were selected and informed in April after jurying into the event, and served until October. This year, we selected eight experienced, proven artists and community leaders in January to work with their communities year round. This is a permanent position, so communities, and the leaders, will have continuity from year to year. Artists, you may have heard from your community leaders as early as January, when they helped to recruit new artists. And the general public – look out! You’ll be meeting more of our artists throughout the year, and learning more about what we do at Portland Open Studios all year.

I am delighted to introduce this all-star team to you:

Jeni Lee – Sellwood/Milwaukie
Amy Stoner – Beaverton-Sunset Highway AND downtown/Pearl
Lisa Wiser – Lake Oswego/SW Portland


Shannon Carlson – SE Portland
Kirista Trask – North Portland
Leah Kohlenberg – North Portland
Travis Pond – Clackamas County
Joanie Krug – NE Portland









The name Kimberly Gales is an important one in Portland Open Studios history. As one of the first board members of our 21-year-old organization, she helped establish the yearly open studios tour.

By Kimberly Gales

Her untimely death of a stroke in 2005 – at age 56 – rocked her friends and family – and the PDXOS Board. In her honor, every year since the board has awarded a scholarship to an emerging young adult artist.

Aimee Gales and Katie Hughes, with one of Kimberly’s paintings

But Kim was also, first and foremost, a Gales girl. And that is a rich artistic, energetic, and wonderful family dynasty that continues to impact our organization today.

Her daughters, Aimee and Katie, are quite obviously still guided by her words and attitude. They live by her advice that “It’s the quality, not the quantity” and “Live life to the fullest”. Their contagious energy and optimism are energizing.

Kimberly Gales and Myla Keller’s art

Kimberly Gales was a watercolorist, just starting to push the bounds of the medium. HER mother – who is still alive – is Myla Keller, a well-known, prolific Portland painter. They even did open studios together once!

Aimee and Katie are not painters but are amazing art appreciators. That starts with their mother and grandmother’s work, which adorn the walls of both girl’s homes. Aimee and Katie were young adults when their mother died, and the PDXOS Board started and funded the scholarship to remember her at the behest of then-board member Bonnie Meltzer.

But it’s now also a Gales girl mission: this year, when they found out the scholarship was still running, the Gales girls took it over – raising enough money to fund two candidates, with plans to open a Facebook page to remember their mother and collect donations. They also plan to host an annual fundraising party (the first one is planned for February, stay tuned for more details).

“We’d like to make enough money to offer a bigger stipend,” says Katie. “We’d like to give emerging artists real support, because we know how hard it is.”

Announcing Our 2019 Tour Artists

Here is a listing our 2019 tour artists. (As of this posting, some are unconfirmed).

  • Alan Rose
  • Alexandria Levin
  • Alison O’Donoghue
  • Amanda Triplett
  • Amy Fields
  • Amy Stoner
  • Andrew Butterfield
  • Annie Salness
  • Arielle Adkin
  • Barbara Martin
  • Ben Dye
  • Beth Yazhari
  • Bill Park
  • Bob Heath
  • Brian Wischer
  • Cameron York
  • Carol Greiwe
  • Chris Darr
  • Christopher Mooney
  • Claudia Hollister
  • Craig Dorety
  • Dave Benz
  • Dave Haslett 
  • David Friedman
  • Debby Radakovich
  • Diane Russell
  • Dianne Jean Erickson
  • Don Bailey
  • Elena Markova
  • Erinn Kathryn 
  • Fretta Cravens
  • Gail Owens (Jen Brooks)
  • Gia Whitlock
  • Gretha Lindwood
  • Hazel Glass
  • Heather Fields
  • Hilary Pfeifer
  • Holly Monroe
  • Isabelle Soule
  • Jan Rimerman
  • Jani Hoberg
  • Janie Lowe
  • Jeanne Henry 
  • Jeni Lee
  • Jenn Feeney
  • Jennifer Foran
  • Jennifer Randall
  • Jennifer Takahashi 
  • Jesse Reno
  • Jill Berry
  • Joanie Krug
  • Jon Gottshall
  • Jonathan Barcan
  • Jose Moscoso
  • Josh Gates
  • Julie jeanseau
  • June Haddox
  • Kamala Dolphin-Kingsley
  • Karrie Amiton
  • Kelli MacConnell
  • Kelly Williams 
  • Kelsey Hamilton
  • Kirista Trask
  • Kirk Weller
  • Kit Carlton
  • Kowkie Durst
  • Kristy Kun 
  • Leah “Quire” Hugon 
  • Leah Kohlenberg
  • Lily Crowder
  • Lisa Wiser
  • Lucy Davenport
  • Lulu Moonwood Murakami
  • Lyric Joplin
  • Mandy Stigant
  • Marcia Jeglum
  • Marisa Green
  • Marjorie Post
  • Mark Dunst
  • Marta Farris 
  • Matt Carlson
  • Maude Anne May
  • Meghan Hedley
  • Melissa Kojima
  • Melissa Moline
  • Melissa Monroe
  • Michael Orwick
  • Michele Maule
  • Nho Nguyen
  • Parmalee Paula Cover
  • Patrice Cameron
  • Philip Broussard
  • Rachel Austin
  • Renee Hartig
  • Robert “Plastorm” Fortney(Plastorm)
  • Russell Young
  • Sally Squire
  • Sara Swink
  • Scott Conary
  • Scott Stewart
  • Shannon Carlson
  • Shanon Playford 
  • Sharon Jonquil
  • Shelly Durica-Laiche
  • Sherri Aytche
  • Sienna Morris
  • Steve Farris
  • Susan Borger
  • Susan Gordinier
  • Susan Greenbaum
  • Susan Kuznitsky
  • Tamae Frame
  • Travis Pond
  • Ursula Barton
  • Veronica Arquilevich Guzman
  • Virginia McKinney
  • Wayne Jiang
  • William Hernandez
  • Zue Stevenson

President’s letter: Portland Open Studios Runs on Volunteer power

By Leah Kohlenberg

Today, as we kick off the 21st year of Portland Open Studios by opening our call to artists, I am privileged to find myself in the company of the open studios board. The board members are all volunteers, and put in thousands of hours of work, starting now, to make this event a success in October. These people are seriously dedicated!

Returning are Maude May (Vice President), Shelly Edwards (Treasurer), Jolinda Miller (Secretary), Janie Lowe (Education), Duck Holland (Community Liaison), and David Friedman (Webmaster). Please refer to our Instagram and Facebook pages to find out more about these people.

Joining us this year is Kirista Trask as our Marketing Director. This is a new board position, and Kirista is creating an exciting and comprehensive new marketing strategy for us! Expect to see more consistent messaging, tight branding and much more visibility this year. Learn more about Krisita in her own words here.  Even board members who are stepping down this year aren’t really leaving the Open Studios world. Samyak Yamauchi, who served two years as volunteer liaison and recruitment coordinator, is continuing to help out with our social media posting on facebook. Pat Kane, who has served a record seven years on the board, most recently as the communications director, is continuing on as our newsletter editor. Kit Carlton, who spent one year as our events coordinator, is volunteering to teach art at an elementary school for a Latino Network-Open Studios collaboration.

The thing all these people have in common is a commitment to building a bridge between artist and patron. And we are looking forward to making 2019 our most successful, most fun year yet!

Studio Latino program pairs PDXOS Artists with Kids from Underserved Communities

By Liz Smith

Starting in January, Portland Open Studios started a new partnership with the Latino Network, sending eight volunteer artists into public after-school programs to teach art to underserved students.

Jessica Lagunas, the arts and culture program coodinator for Latino Network’s “Studio Latino” program, is moved to count her blessings when speaking of this special program and the relationship between the students and Portland Open Studios artists.  “It’s not just that these artists are giving their time,” she says, “it’s that they are doing this with an understanding of the kids who are being served. Many are immigrants, and some have experienced trauma.  The artists have put so much work into this collaboration.”

The “Studio Latino” program works with SUN Community schools to support healthy child and youth development by exposing youth to new art forms while increasing positive skills and behaviors.

“We are so excited to be working with them,” says PDXOS President Leah Kohlenberg. “We believe at Portland Open Studios that art should be accessible and available to all.  This program is a natural extension of what we already do.”

Portland Open Studios thanks the participating artists and the Studio Latino program for faciltating this important collaboration. Below are the artists and participating schools:

Joanie Krug and Janie Lowe (also our education board member), are at Scott Elementary; Linda Sawaya and Robert Fortney are at Cesar Chavez Elementary; Heather Fields and Kit Carlton are at Bridger Elementary; and David Friedman, Redd Clark and Lai Mei are at Rigler Elementary.  Additionally, current open studio artist William Hernandez returns for his second year to Woodland Elementary.

Artists Kit Carlton and Heather Fields began their classes at Bridger School this week, and reported that their first day went “smashingly.”  “The kiddos really responded to the collage activity Heather put together—so much so in our enthusiasm we forgot to take pictures,” said Carlton. “Many of the kiddos today had remarked that they had wanted to sign up for a cooking course but were really glad the class was full, otherwise they wouldn’t have known that the mixed media arts were so much fun. One Bridger student remarked, ‘I wish this class was every day. It’s my first new favorite class.’ This is what art is about—exploration, breaking down social/emotional barriers to reach the heart of our humanity to build community. Really rewarding.”

Jessica Lagunas has the hope that more people will see what they are doing and be inspired to get involved. For more about Studio Latino, check out their page Studio Latino  “At Latino Network, we view arts and culture as essential elements of youth education. And we believe every child—regardless of race, ethnicity or class—deserves an arts-rich education.”

Journey of Discovery

By Liz Smith

Until you experience it, it’s hard to describe Portland Open Studios in a way that does it justice. For my first time attending PDXOS, I was simply looking forward to meeting some artists and looking at some art –  I had no idea it would be so personal, and that’s largely due to the openness that each artist takes in letting the public into their home studios.

Wayfinding using both the app and the paper map worked very well for me. I would just pick a studio as a starting point and let it flow from there. Sometimes I would meet other visitors and ask them where they had been or where they were going next. Sometimes I’d be driving through a neighborhood and a yellow sign would catch my eye and I’d take a diversion from my plan and just see where I ended up. You really can’t go wrong, however you decide to navigate and which studio you select.

Kowkie Durst at his kiln

I never realized before how much I enjoy learning about process. Many artists have time-lapse videos playing so that you can get a quick view, and some also did live demos, which were great. At the end of each day, my brain was full from learning and from getting that deeper understanding about what each artist puts into their work. Seeing their tools,

Angela White-Wenger at the wheel

easels, wood cutters, paints; feeling a floor so layered with wax that you could literally scrape shavings from it; watching kids gathered around a potter’s wheel saying “I want to do that one day!” – these memories are deeply imbedded in me now, as well as a renewed sense of how important art is in our city, our country, our world. It’s like seeing dreams made tactile, and those dreams tap into our own emotions and inspiration.

Considering that a lot of artists I know are shy people, I was truly grateful to be allowed to come into their private space. Each person that I met was so welcoming! It almost felt like you’d made a new friend each time. There is a sense of community within the “communities”, and it was neat to see the connection and support among the artists.

When people say “that is SO Portland” I would apply this to Portland Open Studios with gusto – we are literally surrounded by artists in all quadrants of our city and outlying communities, and this is what makes the culture of this city so special and unique. The house down the street from you with the interesting shed out back may house a talent that you know nothing about – PDXOS gives you the opportunity to lift the curtain and see the creativity first hand. F

Sarah Waldron sharing her process

or both locals and out of town visitors, we are so lucky to have this curated treasure trove of makers among us and available to us! I am adding this to my yearly traditions and can’t wait to share it with others, to return to see some of the artists I met this year and to discover new ones.

Portland Open Studios: What Art has to give to You

On Tuesday morning, at 5:30 am, I watched as KOIN 6 news correspondent Kohr Harlan’s face lit up – literally and figuratively!

He was holding a welding tool, which was spitting out hot metal, flame and sparks, attempting to seal a piece of metal onto a wreath shape of metal pieces. Beside him was Travis Pond, one of our participating artists, walking him through the process. Harlan’s face mask was awash in blue and yellow light.

“Yup,” said Harlan, as he lifted his mask and grinned widely. “It doesn’t get better than this. I got to WELD something.”

Which reminds me why it is we do what we do at Portland Open Studios. We are not your typical art experience. Where else can a visitor immerse themselves in up to 99 different ways that artists make art, in their studios, with their tools, with work in all its various states around them? It is exhilarating. All of our artists will be demonstrating their process. Many will have something for you to try out, too.

I know people who like to romanticize the job of an artist. Let me tell you, if you are making art for a living, there are definite ups and downs, just like any other job. But the biggest up is the thrill of making something with your hands and using your right – or visual side – of the brain. Those of us who participate in Portland Open Studios know that this meditative, out-of-time feeling is what gets us through even the most difficult of days.

We also know that this feeling is not unique or special to us – anyone can get it by learning to hand-make something. Whether it’s fine art, working on a car engine, knitting, cake decorating or carpentry, taking things apart and putting them back together again is an experience that builds your brain and your soul. The artists who participate in open studios aren’t just hawking their wares. We want you to share that experience, that feeling, with you. Our connection to art is very human and very universal.

This year, Portland Open Studios celebrates 20 years, and our hope, our dream, is that you walk into open studios with curiosity, and walk out having your mind blown – that process was so cool, that painting so beautiful, that studio so amazing. We want you to walk away feeling like you must have more art in your life, and that art has something to give YOU, personally.

We want you to walk away feeling like it doesn’t get any better than this.

Much love,

Leah and the Portland Open Studios Board (Maude, Shelly, Jolinda, David, Pat, Janie, Sam, Kit and Duck)

Channel 6 Kohr Harlan visits PDXOS artist Travis Pond

It may have been 5 am in Travis Pond’s backyard sculpture studio on Tuesday, but the place was already humming with people and activity. Travis is Artist #3 in Community 1.

Kohr Harlan, a correspondent for the KOIN TV (Channel 6) early morning news program, was wearing protective goggles and wielding a fire and hot metal spitting spout. He was welding, live on TV, with Travis!

“Yup,” said Harlan, pulling up his mask with a grin. “This is the best it gets. The story just writes itself. Man, that was fun!”

This is the second year running that Harlan has covered Portland Open Studios for Channel 6 news – always, by doing art with the artist live on TV. Last year, he visited Maude May, our board vice president, to learn about encaustic techniques. And while he walked in curious but a little skeptical – “I’m more of a sports guy” he proclaimed – he walked out hooked.

We aren’t surprised here at Portland Open Studios – we know this is why our event is so important. It gets participants up close and personal with the artmaking process, not just the art. And we know that learning to make something can change your life. Remember that this weekend, as you visit artist studios!

A word from the president

This October, Portland Open Studio’s 20th year offers both something old and something new.

Unchanged is the event itself, in which 99 artists will open their studios to the public on the second and third weekends of October (Oct. 13-14 and Oct. 20-21). Visitors can expect artist demos, the chance to try out some artistic processes, and the chance to get to know artists and procure some amazing local art.

How you’ll find the artists this year – our tour guide – has gotten a serious makeover. We noticed fewer people were seeking out our printed guide, which was distributed by our amazing partners New Seasons grocery, and appeared in many forms over the years, from a calendar to an 80-page bound book. The tour guide typically cost between $10 and $15 to purchase.

Meanwhile, the phone app version of our tour guide, first developed about five years ago by artist and former board member Shu Ju Wang, was becoming increasingly popular. Last year, nearly 1,500 people downloaded the app, while only about 300 bought the paper tour guide.

This year we have three ways to find our artists:

  1. The Printed Guide, an 8-page insert listing all artists, with addresses and contact information, organized by neighborhood, will be in the center of the October issue of Portland Monthly Magazine (price: $6). That issue, the Weekend Getaways issue, is out on the newsstands now (as of 9/10/18)
  2. The Phone App Guide will be available in both the apple store and google play stores on Sept. 20 (Price: $4.99). You’ll be able to review three photos of art from each studio, get driving directions between studios, and new this year, a calendar that will tell you what your favorite Portland Open Studio artists are doing ALL YEAR LONG. (How’s that for added value?)
  3. Artists and their addresses are listed on our website (free), at

Want to catch all these artists in one place? We’ll launch our 20th year with a group show of most participating artists and party at the Oregon Society of Artists, on Friday, Sept. 28, from 6-9 p.m. And save the date for our big birthday gala bash, the Art Ball, on Nov. 8 at the Hilton downtown (Come dressed as your favorite artists, art time period, or painting).

Hope to see you at the studios this year!


Pricing Your Artwork with Confidence (in a nutshell)

Once upon a time, in 1998, I had two small paintings in an exhibition. I was asked to price the pieces low, so that they would sell, and sell they did. But when I received my percentage, it seemed as though I didn’t earn anything at all from this double sale. And so, after 17 years of being an exhibiting artist, I finally did some math to find out what it really cost me to produce any one painting. The unhappy ending? Not only did I not make any profit, but it cost me $500 out of pocket to sell those two paintings.

We have been told to count the hours spent creating the artwork, and to add up the cost of our materials, at most. This issue has flummoxed artists, coast to coast, for as long as I can remember. It should be taught in art school, among other business things.

Math is your friend and knowledge is power.

Start with four basic pieces of information:

  1. Material Costs: Add up all the materials that go into your artwork. Average them out over the year, per piece of artwork created that same year.
  2. Overhead Costs: Other expenses that go into being a working artist such as studio rent, workshops, photography, etc.
  3. Creative Labor: Time spent actually creating your artwork in the studio. Keep a log.
  4. Miscellaneous Labor: Time you spend doing support work such as attending meetings, gallery visits, shopping for supplies. Keep a log. Average it out over the year, per piece of artwork created that year.

One more thing to calculate:

Figure out your minimum hourly living wage, based on your real life expenses, so that you can live to continue to create work. That is only reasonable. Neither luxurious, nor impoverished, but reasonable.

As an example:

It takes you 15 hours to paint “Goldfish Dreams”,  plus 20 hours average support time per painting. This equals 35 hours of your time to create this painting.

If your minimum hourly living wage is $25 per hour, then that is $875 for labor costs alone. If your material and overhead expenses average $200 per painting, then “Goldfish Dreams” cost you $1075. to create. You also need to consider any exhibition commissions, plus taxes on your labor and any profits.

Knowing what it really costs to create your work can be distressing at first, however, knowledge is power.

Everything above can be calculated mathematically.  Then there are the more intangible items to consider:

  • Price ranges in the art market
  • The economy in general
  • Your cumulative experience as an artist
  • Your career level
  • And other things…

Remember to value your skill, vision, and years of experience… And then balance that with the reality of the marketplace. Have work available at different price points, from quick sketches and experimental pieces to your highest-quality exhibiting work. Balance what is important to you personally, and to your longer-term career.

To purchase   Pricing Your Artwork with Confidence (print and ebook with link to Amazon page)